Shannon Liu


Visual designer and artist based in London. 

Spanning visual communication, sound, writing, and film, her practice is cross-disciplinary, research-led, and experimental, working with physical materials and socio-cultural contexts before anything becomes digital. 

Recent Royal College of Art MA Visual Communication graduate, previously a full-time product and UX designer.

Also makes music with @patterns.music. 


Project
European Taiwanese Sports Games

Tiechuanghua Workshop
Cherry Tattoo
GOD IS A DJ

we might lose him forever 

246 Collective
Techno Punk

for the Young and the Longing

Stories of Taiwanese Indigenous Youth
Facsimile
Perfect Imperfections
SkETcHeS + aRchIVEs
shannonnnliu@gmail.com

In an era dominated by AI and "ease of use," typography has become a tool for homogenization rather than expression. Techno Punk is a protest against that perfection. It explores the intersection of humanity and technology—adhering to the strict constraints of a bitmap grid while incorporating rebellious, organic touches that reflect the messy diversity of our world.






Format

Typeface Design

Role

Graphic Designer

In a Nutshell

Design today leans heavily toward legibility, usability, and commercial appeal. The result is a creative landscape that, while functional, has become increasingly uniform. Typography — one of design's most expressive tools — has largely been swept into this current, treated as a transparent vessel rather than a medium in its own right. As AI accelerates this push toward "ease of use," a question becomes urgent: 

How can typography stay human — not just functional, but felt?

Techno Punk is a pixel typeface that sits at the intersection of machine precision and human messiness — inspired by bitmap fonts and early digital design, built as a deliberate act of resistance against the growing homogeneity of contemporary typography.





Inspiration

Underground designers have always pushed back. Carson and Brody treated typography as an artistic playground — raw, imperfect, alive. Brody argued that warped, odd shapes carry an energy clean type simply cannot. Hattori went further: the how of expression matters more than the what. Punk design proved it — ragged edges, collage, ransom note lettering. Not pretty. Not supposed to be. Just honest.

Rawness and imperfection aren't failures. They are a design language.






Glitch with Intent

Techno Punk draws from bitmap and early Gameboy fonts — constrained by grids, humanised by deliberate distortion. It follows strict pixel logic while breaking it just enough to feel alive; less like a typeface, more like a glitch. A human mistake made by a machine.

In dense settings, characters crowd and connect, forming something almost communal — individual marks giving rise to a collective identity. Pull one letter out, and it stands entirely on its own. Legible? Not particularly. But that's the point.





Type as Position

Techno Punk is a typeface that takes a position. It challenges the assumption that type must earn its place through readability, and argues instead that form, feeling, and friction are just as valid. It's a small act of defiance in a design culture that increasingly smooths everything over — proof that typography can still be unpredictable, personal, and stubbornly, gloriously human.







Index ©2026 Shannon Liu